000 01574cam0a2200481 4500
001 2657
005 20210412121415.0
009 009313931
010 _bbr.
_d15.50 F
020 _aUS
_b77370049
035 _a066658888
_9sudoc
035 _a(OCoLC)53546562
035 _aPRITEC.TOURS.050170739001
035 _aPRITEC.DIJON.010241107001
035 _aPRITECCFLSH010260619001
035 _aPRITEC.CAEN.020840227001
035 _aPRITEC.METZ.020020933001
035 _asib0353881
035 _aPRITEC.STRASBG.080020512001
035 _aocm02011706
035 _aLX001901811301P
090 _a2657
099 _0PPN009313931
_1009313931
_2sudoc
_tBK
100 _a19920226d1968 k y0frey50 ba
101 _afre
102 _aFR
105 _af a 000yd
106 _ar
200 _aHarold Pinter
_edramaturge de l'ambiguïté
_eessai
_fDaniel Salem
_gpostface de Mathieu [sic] Galey
210 _aParis
_cDenoël
_dDL 1968
215 _a1 vol. (192 p.-[8] p.de pl.).
_cill.
_d19 cm
320 _aBibliogr. p. [177]-178
600 1 _3027074617
_aPinter
_bHarold
_f1930-2008
_3028633067
_xCritique et interprétation
_2rameau
680 _aPR6066.I53
_bZ8
692 _aThéâtre (critique)
700 1 _3058548823
_aSalem
_bDaniel
_4070
702 1 _3026879158
_aGaley
_bMatthieu
_f1934-1986
_4075
801 _aFR
_bAbes
_c20181207
_gAFNOR
801 _aFR
_bSF
_c19990209
_gAFNOR
801 _aUS
_bOCLC
_gAACR2
_cYYYYMMDD
801 _aFR
_bAUROC
_cYYYYMMDD
_gAFNOR
801 _aFR
_bBNF
_c19970528
_gAFNOR